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Our Day (Our Day Will Come) (2010)

Romain Gavras is doomed to bear all his life to being recognized as the son of the noted Greek director Costa-Gavras, however, despite this inevitable connection The young director has begun to carve out a very interesting way into the film world, which began with address the highly controversial short film Born Free , in which the singer was working with MIA, and now continues with the introduction of Notre Jour Viendra , his first feature film.

With a visual style similar to that presented in Born Free , Gavras delves into his dissertation on minority repudiated and the unbridled hatred that generates social rejection, once again taking the redheaded as bearers of "a people no country, no language and no army. "

unbalanced, inconsistent and wild are the two main characters, played by the always extraordinary Vincent Cassel and the practically unknown Olivier Barthelemy, who by coincidence or causality know one night, and to be united in their hair condition they leave everything to go to Ireland. A place where redheads are supposed to live in peace.

The two anti-heroes transform an ordinary journey by road in a real escape, reaching insane proportions due to intolerance, racism, anger and hatred that these two characters profess against the world in general, ironically to repudiate for having done what they do to him.

The narrative style of Notre Jour Viendra is so exaggerated fragmented, which is even doubt about whether this is part of the objective Gavras or simply a lack of manager to give meaning to the events we see on screen, however it is thanks to this feature that the tape becomes a complete work Hypnotic, engaging the audience from its great opening sequence and not releasing it to the wonderful and enigmatic conclusion.

The remarkable ruthlessness with which events unfold in the film, finds a great balance with the photographic work of Andre Chemetoff, also responsible for the filming of Born Free and composer of a lot of scenes will remain in the viewer's memory once the tape.

Notre Jour Viendra is a film that, despite its shortcomings and its culpable errors of continuity, has an inexplicable attraction philosophical, narrative and dramatic, which makes it an outstanding performance and suggests a Future bright for Romain Gavras film.