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Insidious (2010)

Despite my apparent obsession with cultivating In the most bizarre movies I've never been very fond of terror in its modern aspect, and that over the years I have developed a rejection of this kind, which is usually transmitted through poor recycled stories, inevitably accompanied by sudden and very strong noise. Fortunately, even within the mainstream film, there are some filmmakers who are interested in terrorizing with a good story.

The first part of the Malay became Saw James Wan on one of the most sought after horror directors and the creator of one of the most successful horror franchises in history, however, the cerebral mostrado en dicha obra se perdió en sus posteriores incursiones fílmicas.

Insidious es el regreso de Wan al camino del éxito y a la recuperación de ese terror clásico, en donde la historia retoma su papel primordial y el horror se transmite a la audiencia mediante excelentes manejos de cámara, que descubren a Wan como un verdadero conocedor de los cánones de dicho género.

Una vez más se utiliza a una familia de clase media norteamericana como el foco de una serie de desgracias, que tienen su origen en el misterioso y súbito coma en el que entra uno de sus pequeños hijos, que vendrá acompañado de sucesos paranormales and appearances that will assume that the house in which they live is haunted, an assumption that will gradually transformed into something much worse.

absolutely perfect from the film's opening sequence, where a camera slowly flowing without stopping proves more terrifying than any sudden leap, the viewer realizes that Insidious intended to be a different tape and up some extent it succeeds, skillfully balancing all the elements that lead to the frantic final half hour and giving even the luxury of entering some humorous situations as excellent as subtle.

Despite some minor errors in logic in the approach to history and at times loose performances by Patrick Wilson and Rose Byrne, who end up being the only obvious defect of the film, Insidious is highly enjoyable. Using a script that tries to be interesting and is able to frighten without spilling a single drop of blood, combined with extraordinary visual sequences in which they can feel the influence they have had in Wan masters of the genre as Dario Argento .

Ultimately, James Wan gave us a refreshing and intelligent tape in the repetitive world of horror film, which again puts as a filmmaker to be closely monitored.

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APERITIVO AL 1 DE MAYO

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COCINANDO REIVINDICACIONES

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May 2 April 30: Presentation of the UST in Madrid

Dear comrades:

Los Trabajadores we siendo victims of a solid kicking nuestros derechos social labor, which HACEN required mobilization permanent, that guarantee mismo.

If necessary hare Social Response to an economic crisis that we are immersed, that prevents the capital in pursuit of maximizing their profit taking ahead follow daily paper, getting to keep even of life.

In this context, the Trade Union of Workers states the objective of giving working people an effective tool to defend their interests. Articulating a project that allows us to break the chains of the market that rob us of our freedom.

If you are tired of this deprivation of liberty, if you're tired of your rights to be cut in favor of big business, if you're not willing to remain indifferent to the theft suffered by workers. This Saturday, April 30, you have an appointment 19:30 pm at Santa Cruz de Marcenado, No. 13, workers, trade unionists and SOLIDARITY.

COME TO MEET

Organizing Secretary of the UST

usttusindicato@gmail.com

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Bread and circuses! Censorship

We will not deny that there are patriots and nonconformists who are entitled to take a break in the middle of all this struggle so ungrateful but what is that some do not spend it fails each other, get mad and lose days before and then a shit sport. So who wants to see football, figure skating or extreme pitch, we la suda, pero sin faltar, como se hace con los catalanes o vascos y pensando que hay cosas mil veces más importantes con las que perder el tiempo como intentar ayudar y pelear a unos seis millones de compatriotas que no tienen ingresos, una sociedad falta de valores, una estandarización étnico-cultural o la destrucción del entorno. Y recordar que muchos os peleais por defender a cuatro chulos y analfabetos de mierda que en la intimidad se llevan como hermanos y cobran un pastón.

¡¡ODIO ETERNO AL FÚTBOL MODERNO!!

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"Casualmente", tras la presentación de la candidatura a la alcaldía de Salt por parte de "May" quien fue denunciada per sow the mayor of Salt for protesting the murder of one of its neighbors and all the shit that is in that town's website "Tribuna of Europe" are suffering (nothing new by the way) attacks from pressure to close the page. Obviously they panic, terror as a real option, social, national, and currently as the MSR can obtain representation and that could set a precedent. And as in Salt coexist with multiculturalism DAILY balls and no longer serves any use methods such as manipulation (Check the xenophobic movement, right, etc) silence information, prohibition of acts, etc., should attack this page that also address social, cultural and many more that do not like .... so do not be scared if you enter and gives you error. But think of how close this and no other pages I trancribimos the news (just in case).

NOT STOP TO CONQUER!

Message TdE management:

"TdE / Apart from the constant attacks TdE been suffering from those who wish to silence in any way and anywhere, to communicate our readers the reasons why TdE takes a few days giving problems are due to those responsible server, say we have too many visitors and stolen capacity to other customers, and for this reason our website it is very annoying, to the extent that claim shoot it down. Obviously we do not have as many visits as to whether this is true, although we have many readers, and we are pleased by the number of visitors to whom we are grateful, not to saturate a server, ie they must be getting pressure from outside in a nutshell.

We apologize for the failure of the web, totally unrelated to our management, and soon we will make changes relevant to the functioning of the site is not altered with this frequency.

TdE Administration "

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Source Code (2011)

The path of a director who triumphed with his first film is not easy, as usually is the second film exercise which will strengthen your career or to place it in the case of solitary one hit wonders. As you can imagine the pressure is enormous.

That is precisely the situation that was Duncan Jones, who with Moon, his minimalist and extraordinary debut was praised by critics and audiences by presenting a science fiction film that respected the intelligence the viewer, making a round story from beginning to end. The first step was given and the expectations on its second foray film began to grow from the moment it was announced that, as expected, Jones would remain in the range of science fiction for his second film.

I am very intrigued to know the path that would take Duncan Jones Source Code, a film that showed dramatic images of progress and at the same time posed a plot full of twists and unexpected turns, which What is more apparently playing with time travel, an issue that from my point of view is the topic of science fiction more difficult to bring successfully to the big screen.

With all the sadness in the world I say that very little remains in Source Code of Duncan Jones marveled us Moon. The infinite care with which he created his first screenplay, is now completely forgotten in a story that keeps the viewer's interest only in the short period of time that does not know the causes behind the events, because when they begin to explain the continuity errors and logic begin to pile up in a development that ends up being clumsy, embarrassing and absurd.

The plot is simply that a U.S. soldier, played by Jake Gyllenhaal, has a mission to find the terrorist who blew up a train, so the police can stop before completing an attack greater than previously announced. The method to find the villain is that the soldier must travel mentally to a recreation of the 8 minutes before the bomb blast, and interact with passengers to detect the bomber. I will not reveal details of the story for those who come to see this joke enjoy putting together the plot little by little, but then do not say that they were not warned.

The army of fans of Duncan Jones, which I was one until last weekend, defending it's exaggerated concern for scientific proof of the film, as important, they say, is the message that lies behind these details. Nothing could be farther from reality, because if we ignore the sci-fi the script, what remains is a ridiculous love story and a set of search of the culprit, which intentionally or not, you will discover the viewer in the first fifteen minutes of the film.

Duncan Jones does not even have this time among his colleagues to Clint Mansell for their great soundtracks rescue the tape, which the viewer is left only with the intent that makes the musician Chris Bacon to put some tension the scenes.

only thing salvageable from the disaster that is Source Code is photography Don Burgess, who recall the impeccable work you did in Forrest Gump and manages to create some very enjoyable scenes impact. Unfortunately there is nothing more and apparently Source Code will be one of the biggest disappointments I'll have this year. Curiously, the film has a rating of 7.8 on IMDB. Definitely do not understand.

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We are who we are

We are who we are. Enough of history and stories!

Beyond the dead just got buried as God commands their dead.

do not live in the past, and we wind the memory.

We turbid fresh water that runs over its beginnings.

We

the being grows. We are a river right .

We are fearful of a heart beat unresolved.

We Barbarians, simple. We the Iberian death

still never managed to show pure, whole and true.

much was we nurture, grow

transforming and so are who we beat by beat and killed dead.

A street!, It's time to hand with walking

and show that, as we live, we announce something new.

I deny my origin, but I say that we

much more than the known, the factors of a start.

English and English with a future that inherently embody

past but can not give for good.

remember our mistakes with bad sound and good wind.

Ira and light, the father of Spain, back to tear the dream.

Again I tell you who you are. Again I think of you, suspended.

I return to fight as important and start with what I start.

as you would not want to justify a leguleyo.

I be a poet and write your first verse.

Spain

mine bout torment myself,

to save myself and save you, love you spelling.

- Gabriel Celaya, Iberian-Cantos

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The Live (1988 )

slag, the dispossessed and those inhabitants of the underworld that has built the class struggle in place since the dawn of humanity, they become responsible for awakening to the modern society They Live, essential film in the filmography of the legendary John Carpenter, who along with David Cronenberg and Wes Craven was a founding pillar American school of modern terror.

terror is not exactly what is transmitted in this film, in which Carpenter choose to replace the screams, murder and gore, and vibrant action sequences, a fast and constant humor and clever social critique that follows the short story Eight O'Clock in the Morning , written by Ray Nelson and Carpenter adapted in a simple but flawless script.

The premise of the story presents us with coincidences that lead to a construction worker, covered with muscles but without any preparation, to discover that the world is actually controlled by a horrific aliens, which we see as normal human beings because they control our minds with a series of waves emanating from television sets.

is not the first time you push into television as an evil means of social control in a script, Cronenberg made a few years before had raised similar theories with Videodrome , however the script of They Live not stay in the television appearance, but that goes against all social conventions to which we voluntarily submitted, and that is through the superficial desires of the citizens that the nasty invaders gained control their human.

The main character, played by professional wrestler Roddy Piper with its obvious shortcomings histrionics, he discovers a box full of lenses that allow you to see the real world without blocking your brain waves and can detect with this evil aliens and discovering a small human guerrilla who designed the lenses and attempts to awaken humanity.

Many action films in recent years deeply envy the extraordinary pace of Carpenter's film, with its huge budget constraints achieves a superb setting, provides the story of an exemplary fluid builds scenes absolutely perfect, as the endless fight the alley or the sequence in which the world begins to unfold in all its manipulative glory through sunglasses.

Set with a great soundtrack composed by Carpenter himself, They Live is a film which was not expecting much and I was completely surprised by its freshness and the simple but successful philosophical, placed alongside the classic film style sobering but business as Dawn of the Dead George A. Romero.

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Multiculturalism in Vigo

I not only South Americans, now they are joined by Moroccan and "Portuguese" (which as we have said are Romanians and naturalized Brazilians ...). And comes with the shit we have at home to send us the outside.

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How to Train Your Dragon (2010)

After directing a film about the Icelandic band Sigur Rós , which will be remembered as one of the best documentaries of the story, Dean DeBlois returns to the big screen with his inseparable Chris Sanders, with whom he co-directed the hit Disney Lilo & Stitch to present a film produced by Disney dissidents, the increasingly successful Dreamworks.

Nominated for an Oscar for best animated film, How to Train Your Dragon was certainly a worthy competitor to the winner Toy Story 3 and ignored but pride The Illusionist, tapes that put the animation as one of the most outstanding contemporary film genres.

Set in a mythical land colonized by the Vikings, the film chronicles the struggle of a small town that is constantly ravaged by a plague of dragons, who have declared war against those who defend themselves in bloody battles to prevent the theft of their cattle.

the film's story takes us to places common and poses a series of characters we've seen repeatedly, however the likely development of the film becomes an intimate experience, thanks to proper handling of situations and emotional use of such developments, although we see hundreds of times continue to cause some emotional pleasure.

The Jay Baruchel simpleton usually lends his voice to the character of How to Train Your Dragon , a young man who does not have the physical abilities to be a ruthless Viking, but at the same time desperately seeking approval his father, who is also the dreaded chief of the tribe (Gerard Butler). Fear and the hatred felt by ancient Vikings flying creatures, put into question when the young protagonist strikes up a friendship with a fearsome dragon wounded in the fighting. It is this fact that motivates the main conflict of the tape and that tests the love between father and son and the people's survival.

Fun, direct and unpretentious, How to Train Your Dragon is a good movie, whose range reaches all ages enjoy, what a marvel with its advanced visual techniques and in its apparent simplicity fully meets the purpose for which it was filmed.

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Hunger (2008)

Idealism is a phenomenon increasingly observed less frequently. The proliferation of these men and women who pursued with fervor for social change in the second half of last century, faced with the disappointment of socialism and the rise of savage capitalism, a system that eventually absorb the once idealistic.

Nevertheless, sometimes resurface men willing to sacrifice their lives for a cause they consider just, but to be driven by the passion and exuberance of their ideas leave the idealism to take on terrorism.

Steve McQueen, London artist thanks to his video installations won the prestigious Turner Prize, has created a tape Hunger exemplary in many ways without fear of addressing the complex issue of terrorism and the perceived desire to tell a fact from the most comprehensive historical objectivity.

The film chronicles the struggle of a group of members of the IRA (Irish Republican Army), which under the orders of the idealist / terrorist Bobby Sands, struggling from prison to maintain its status as political prisoners that Prime Minister of England Margaret Thatcher, decided to withdraw from considering them as criminal as the rest of the prisoners.

Special

is the way McQueen gives cohesion to the story, which is divided into two main parts almost completely devoid of dialogue, linked by a bridge that consists of an impressive sequence, where the main role is shaped throughout the footage is set aside to launch the viewer in a dialogue in one take, which leaves it completely overwhelmed by its complexity histrionic and prepares for intense film's conclusion.

Last McQueen art serves to create with Sean Bobbitt sequences that revel in using the human body as a canvas is torn, it becomes deformed and shit, urine and wounds, reaching levels of crudeness plastic which could well have come from the mind of Francis Bacon and Lucien Freud.

Hunger also discover the talent of Michael Fassbender, who will undoubtedly become one of the greatest actors of his generation and already had the opportunity to notice in the later Fish Tank (2009), but whose portrayal of Bobby Sands is a true master class in performance, which shows the physical and mental challenges that you can submit a player truly committed to their role.

Winner of the Camera d'Or at the Cannes Film Festival, Hunger is a film that puts Steve McQueen as a most promising directors in England and he paints a faithful portrait of the nonsense or sense to shore us the passion for an idea.

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"The cinghiamattanza, which has lost much sleep moralists, fans, periodistillas and sociologists talk show - is a "sport is not as" lively burden of which can only be denied by anyone with bad faith openly. only among adults is practiced voluntarily. There is a "starter" is not a "training." It's game, wrestling and life. None is required, any really believe part of any "caste war" just to the wearing of a belt playfully. It is moreover a moment of reappropriation of corporeality. In a world that has a relationship with the body self-conscious, paranoid, decadent, in a world that has produced anorexia, self mutilation, castration, fatigue, we like to play rediscovering the beauty of the body in sweat, joy and action. "

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" strong men only know love, only love the beauty includes only beauty produces art. The love of the weak among themselves but can not produce the satisfaction of their lustful desires, love of the weak to the strong is humiliation and fear, love the strong towards the weak is compassion and forgiveness, only love is love between the strong ".

Richard Wagner

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Howl (2010)

The word is the most powerful weapon is the human being. Thanks to this ability, which can transmit sounds or ink or aberrant glorious pleasures hell, that man has achieved his intellectual and social development. However, despite the fact that all human beings are able to use the word, few have the ability to wield it to convey something truly transcendent.

Howl is the biography of one of the most important poems of the last century, work that would become the flag of a generation of American writers known as the beat generation and transformed its author, Allen Ginsberg, one of the most renowned poets of the twentieth century.

Perceptible is the love and admiration that the documentarians Rob Epstein and Jeffrey Friedman, director of the film, and Ginsberg feel for what is considered his masterpiece, that as often happens in the world of poetry is also his first published work.

The theme of the movie recounts the trial that became the owner of the which published the poem, who by strong erotic and bombastic the book was charged by the state on charges of distributing obscene material. Simultaneously with the complaint, two levels are interspersed narrative reconstructions side composed of interviews with Ginsberg, who contextualize and paint a fascinating portrait of the artist, and a recitation of the poem is illustrated by animated sequences created by John Hays.

Howl is one of those films that force and gradually take over footage outweigh their initial mistakes, which in the case of this film are few, as the personification of Ginsberg makes James Franco perceived initially completely out of place, and even the first recitation, which is also accompanied by the worst animated segments could generate some decide to leave the room. However, for some mysterious reason, there comes a point where everything starts to fit perfectly and Franco takes over the role, delivering a powerful interpretation of the poet, whose work ends up spouting as if he had studied throughout his life.

Ana

Outside the trial, which is interesting despite the caricature that is made of the accusers, Howl deserves to be seen by the work of James Franco and 'emphasis managers in the poetry of Ginsberg, it is evident that risky approach because the average viewer is not going to the movies for you recite poetry, but in context many of the passages of the play, and succumb to the talents of these bright minds were destroyed by madness.

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Un marroquí en el INEM

For those who do not be mean DNI English National Identity Card, NIE Identification Number Aliens and the National Employment Institute INEM. Copy and paste an email I just received. I have not taken even a comma for each draw their own conclusions. Is to deceive but is understandable given the bad management of misrule in which we suffer, "As I said once, work in the INEM. I want to tell a small anecdote to illustrate another of the blunders that led Spain to be as it is. I attend to a man, his features show that they are of Moroccan origin. Do not speak English, almost anything. I ask for identification and oh, no NIE has DNI. Is nationalized. I wonder how quickly a person who is nationalized, can not speak Castilian. And not because he is Moroccan by birth, I wonder how you can live 10 years in a country and not learn the language, at least to have a conversation, and much more, as you get to obtain citizenship. But hey, I think the same about the Germans who have been here a decade or potatoes. Follow. Observe his working life. Begins hallucinating. The man worked in its day a year old, practically just, more or less followed in many companies, many end up voluntary redundancy. In one of them generates legal situation of unemployment (is fired) and scraped year unemployment claims. Well, 4 months tax. Depletion allowance, with family (resident in Morocco) and more than 45 years, 24 months of subsidy. After collecting the subsidy, miraculously, and after spending 28 months (almost two years) as unemployed, standing, oh miracle, is placed at month end to collect. Back to work more or less followed in different companies, some of which ends with low voluntary and such. Same dynamic at work. 2 months here, 1 month only, 3 months there ... And behold a man junta Justito 180 days, what a miracle. For wing, insufficient allowance trading charges, 21 months. After depletion, the prodi cobra, 6 months of subsidy. In all that time and placement, nothing, not a small job. In between, the gentleman who asked to see nationality and it was given. Well, now, after collecting all collectible, takes off to another EU country, with its status as an EU citizen. A reflection. This man has come from another country, presumably to make a living, worked one and a half, and has been given 55 months of benefits unemployment, over 4 ½ years, and nationality. When I was collecting benefits has not even bothered to learn Castilian. I swear the case is true. I saw a beast case yet, but this has happened this morning and I freaked. So it goes. Equally shameful is the situation with the cases of nationals of birth come seeking the same dynamics to generate work as Justito right. The thing is that it is entirely legal, Mr. no one can tell or mu. If this picaresque, domestic and foreign, will the rest of the country's problems, forget it. Now call me a racist, and "tell us more" and all that and such. " SOURCE

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Naisu No Mori (Funky Forest: The First Contact) (2005)

members know little of the western world about Japanese humor, gender, we have access mainly extracts obtained from some television shows that faraway place, where you can usually see groups of participants who are subject to extreme situations to which we are unable to find sense given our cultural background.

All the glorious strangeness and absurdity of this rare bird which is the Japanese humor is taken to extremes in Funky Forest, a film without rhyme or likely to become the most bizarre experience that many of you have seen on the big screen.

The monumental film of two hours is an effort by three Japanese directors, Hajime Ishimine, Shunichiro Miki and Katsuhito Ishii, the latter being apparently commands the triad was also responsible for writing the script for this modern theater of the absurd.

interconnected

by very thin filaments narrative without rational justification, sequences Funky Forest divide the film into several parts that expose stories rooted in reality, but in seconds they become more situations that cause disbelief and laughter that particular feeling arises when one does not understand at all what we are seeing, but for some inexplicable reason it becomes impossible to look away.

Whether the stories that keep the viewer in suspense and not get anywhere, with great sequences involving small misshapen humanoids that are then used as tools, or the man who milk ejected giant nipples when she massaged a big ball that comes out of the year, Funky Forest is a very enjoyable film that will be treasured by all those fans of Asian humor and that despite its long duration the viewer is able to maintain in his seat, even daring to play with a relatively poetic final finale ends with the disconcerting journey.

A key aspect is the excellent electronic soundtrack produced by Toru Midorikawa, which assumes a vital role in many occasions and that becomes the main character for my taste is the best sequence of the tape.

starring a superb cast that includes Tadanobu Asano (Ichi the Killer ), Rinko Kikuchi (Babel ) and Ryo Kase (Letters From Iwo Jima ), the odd film effort was rewarded with the award for the film Toronto's most innovative and After Dark Film Festival continues to garner fans that have positioned it as a cult all undoubtedly worth seeing.

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Faust (1926)

Behold!

The black banner with white writing shines Gothic letters just three seconds on screen, however, magnificent and contemplates its meaning perfectly sums up the character the Friedrich Wilhelm Murnau interpretation that makes the familiar story of Faust.

It is impossible to imagine the public reaction to mid-twenties had the privilege of seeing a film full of images as striking as Faust, in which Murnau strives beyond the boundaries to create sequences of a power bombastic visual, seen from the film's opening box where horsemen of the apocalypse ride on an increasingly corrupt earth.

As in the cruel biblical story of Job, Satan Faust makes a bet with the sky to prove or negate the value of the principle of freedom choice of man and the existence of love, so that once again the sky takes on the role of observer in a series of catastrophes that unleashes Mephistopheles in order to manipulate the heart of Faust.

In one of the most impressive scenes that have been conceived in German Expressionism, Satan spreads the plague on the city where he works as a doctor Fausto. The despair of not being able to cure this epidemic led him to deny everything, to set fire to their books and invoke the devil, who from that moment begin to play with the fate of Faust to destroy morally.

Like Sunrise, Murnau used to divide the resource tape into thirds, where the first and last have a devastating drama, while the latter serves as a humorous interlude designed to decrease a little emotional pressure to which the viewer is subjected. Unlike Sunrise presented in Faust the second third of the tape can be repetitive and a little long, a situation that is the only palpable error on a tape that would otherwise border on perfection.

Being based on the vision of Goethe's Faust, not the original story of the sixteenth century, redemption is a key aspect of Murnau's film, which brings to fruition the concepts and situations described by Goethe and even maximize the drama with which it concludes the story.

Faust is a film that will always be remembered for its stunning special effects and brilliant camera work of Star photographer Carl Hoffman era, but the film also features the wonderful performances as Faust Gosta Ekman, Camilla Horn Gretchen and Mephistopheles as the always wonderful as Emil Jannings, who four years later be enshrined in Der Blau Engel .

Murnau's work in this film will be one of the biggest milestones in the history of cinema, a work of supreme dedication that innovative talent of this genius overflows completely, amazing, touching and lasting until today.

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Los eurodiputados rechazan congelar sus salarios y dejar de viajar en primera

MEPs rejected the vote today in a budget report a series of amendments to the leftist groups who advocate freeze wages and reduce flights in first class.

These amendments, in order to save, had been presented to the general budget proposal for 2012 EP, which has now received full approval of Parliament.

Next year, Parliament will have a budget of 1,725 \u200b\u200bmillion euros, representing an increase of 2.3% compared to 2011, five tenths below the current rate of inflation in the EU.

MEPs have agreed to cut a session in Strasbourg (France) in September in order to save costs, but have not accepted the wage freeze, as proposed some amendments introduced by a group of MEPs of the European United Left and Greens, led by the Portuguese Miguel Portas and those who are not any English.

Amendments, 4, 13, 14 and 15 on the proposed budget called for no increase for 2012 allocations for salaries and allowances claiming that "in the current economic environment, while Europeans are experiencing freezes and reductions in wages and pensions, would be difficult to understand that MEPs will not apply the containment.

In the same vein, Amendment 4, also rejected proposed to reduce travel costs by limiting flights in first class which lasted less than 4 hours.

The 2012 budget prepared by the European People's Portuguese José Manuel Fernandes, was adopted by 479 votes in favor, 176 against and 23 abstentions.

Fernandes pointed out that, since that the increase is below inflation, PE "fairy shown signs of fiscal responsibility and self-restraint"

Still, the budget could increase because you will need to be revised when incorporated into the new 18 MEPs under the Treaty of Lisbon and the costs associated with future extensions, such as Croatia.

PE, like other EU institutions, send their estimates of revenue and expenditure to the European Commission to submit the draft EU budget for 2012 on 20 April.

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CONCLUSION SOBRE MEMORIA E HISTORICA


Memory - Ability to remember

Historical-ca - Relating to the story


For if the Lord came other meanings these are the two largest of these words, because I after a while I thought that historical memory was just something about the civil war, uncouth of me, luckily, after reading and find out a little concludes that it is not. Cots

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Excellent discourse on the" Caliph of Cordoba, Julio Anguita Marxist militant. Out of Communist dogma, listen to this criticism of the nation's future. PS: Does he know this man the complicity of his party in engranjes system which is so critical?.