Despite my apparent obsession with cultivating In the most bizarre movies I've never been very fond of terror in its modern aspect, and that over the years I have developed a rejection of this kind, which is usually transmitted through poor recycled stories, inevitably accompanied by sudden and very strong noise. Fortunately, even within the mainstream film, there are some filmmakers who are interested in terrorizing with a good story.
The first part of the Malay became Saw James Wan on one of the most sought after horror directors and the creator of one of the most successful horror franchises in history, however, the cerebral mostrado en dicha obra se perdió en sus posteriores incursiones fílmicas.
Insidious es el regreso de Wan al camino del éxito y a la recuperación de ese terror clásico, en donde la historia retoma su papel primordial y el horror se transmite a la audiencia mediante excelentes manejos de cámara, que descubren a Wan como un verdadero conocedor de los cánones de dicho género.
Una vez más se utiliza a una familia de clase media norteamericana como el foco de una serie de desgracias, que tienen su origen en el misterioso y súbito coma en el que entra uno de sus pequeños hijos, que vendrá acompañado de sucesos paranormales and appearances that will assume that the house in which they live is haunted, an assumption that will gradually transformed into something much worse.
absolutely perfect from the film's opening sequence, where a camera slowly flowing without stopping proves more terrifying than any sudden leap, the viewer realizes that Insidious intended to be a different tape and up some extent it succeeds, skillfully balancing all the elements that lead to the frantic final half hour and giving even the luxury of entering some humorous situations as excellent as subtle.
Despite some minor errors in logic in the approach to history and at times loose performances by Patrick Wilson and Rose Byrne, who end up being the only obvious defect of the film, Insidious is highly enjoyable. Using a script that tries to be interesting and is able to frighten without spilling a single drop of blood, combined with extraordinary visual sequences in which they can feel the influence they have had in Wan masters of the genre as Dario Argento .
Ultimately, James Wan gave us a refreshing and intelligent tape in the repetitive world of horror film, which again puts as a filmmaker to be closely monitored.
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